A writer on his experience spending time in an artist colony—and why they actually work:
The poet in the studio next to me, Kathryn Levy, was at the time revising her work by reading it aloud, recording it, and playing it back to herself. The murmur of it was reassuring somehow. Years later, when I remembered it to her, she laughed and said ‘I don’t work that way anymore.’ I recently asked her about thoughts on colonies, and she said: ‘You have all the solitude you want, with none of the usual distraction of daily life at home, and then when you want to be in a social situation with interesting people, you have that as well. I find that I experiment in colonies more often than I do at home because I have such an expanse of time, and that I not only write more and think about writing more, but think about life more as well.’
Colonies also teach lessons. Typically, there are older, more experienced artists who offer tips on, for example, finding and maintaining silence. I also learned there is almost nothing better for your work than having someone cook and clean for you who is neither a relative nor someone you’re sleeping with. I am something of a cook, for example, and between food prep and shopping, I spend about 14 hours a week on meals. But when I go away to a residency, that becomes writing time. I gain two whole working days from the week.
And so sometimes people would complain about a meal and my only thought was What is wrong with you?