Known for her grotesque short stories, mythic personality and Southern Catholic faith, O’Connor’s prayer journal ends in her 22nd year, before, as Casey N. Cep writes in The New Yorker, “the literature itself was a prayer.”
O’Connor believed that any fiction that revealed her own character would be inherently awful writing. In her prayer journal, she critiques her own ideas of love and faith and success, covering oatmeal cookies and metaphysics.
“God’s Grandeur: The Prayer Journal of Flannery O’Connor.” (Carlene Bauer, The Virginia Quarterly Review, November 2013)
Intermixed with excerpts from O’Connor’s letters, this tender review focuses on her seemingly one-dimensional attitude toward human love and clarifies its nuance.
“Inheritance and Invention: Flannery O’Connor’s Prayer Journal.” (Casey Cep, The New Yorker, November 2013)
Casey N. Cep has fast become one of my new favorite writers. In this excellent review, Cep emphasizes that O’Connor’s prayer journal was a highly internal affair, both a way to get at a more authentic relationship with God and work through her blossoming writing career.
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