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Students, Professors: We Want Your Best #College #Longreads

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Throughout May and June, a new generation of reporters, writers, editors, and essayists make their way out of school and into the professional world. They come bearing clips, work samples produced for class or during an internship. Hundreds of media outlets at colleges and universities across the country publish student work, and an equal number of professors, instructors, and advisors help students report, write, and edit their best journalism. We’d like to encourage those writers to produce more and better work, and introduce these new voices to a wider audience of readers—and maybe even future employers and mentors.

To help in this effort, we’ve teamed up with Aileen Gallagher, assistant professor at the S.I. Newhouse School of Public Communications, to help search for and share outstanding student work.

Students, writers, publishers, professors: We need your help to find and share the best work of the past year.

If you’ve read (or written) something this school year, just tag it #college #longreads on Twitter or Tumblr, or email it to aileen@longreads.com.

Student publications are the easiest and best place to find college #longreads, like Mary Kenney’s account of an Indian sex worker, published earlier this year by Indiana University’s INSIDE magazine. Or Project Wordsworth, the outstanding new pay-what-you-want experiment from Michael Shapiro and students at Columbia University.

Sometimes a piece that a student writes for class, such as the one Syracuse University grad student Danielle Preiss wrote about high suicide rates among Bhutanese refugees, lands in a professional outlet. And of course, we’ll also tout good work produced by students as part of a fellowship or internship, like Columbia undergrad Jack Dickey’s investigation for Deadspin about Manti Te’o.

The only rules for #college #longreads are: Stories should be over 1,500 words and written by a student enrolled in a college or university at the time of publication.

Share stories worth reading by tagging them #college #longreads.

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Know of a writer or publication we should keep an eye on? Tell us about it in the comments below.

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Longreads Guest Pick: BKLYNR’s Favorite Brooklyn Stories

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Thomas Rhiel and Raphael Pope-Sussman are the founding editors of BKLYNR, a new online publication that features in-depth journalism—including more than a few #longreads—about Brooklyn.

Thomas’s pick: “Brooklyn: The Sane Alternative,” by Pete Hamill in New York magazine

It’s 2013—three long years since New York magazine asked “What was the hipster?”—and yet there are still people for whom Brooklyn means Bedford Avenue. It’s depressing that so played out a trope could displace, in the popular imagination, everything else that the borough is: more populated than Manhattan and three times as massive; a patchwork of neighborhoods, some of which, incredibly, aren’t Williamsburg or Park Slope; and a place whose history stretches as far back as the country’s.

A restorative for the trend piece du jour is Pete Hamill’s “Brooklyn: The Sane Alternative,” a New York magazine cover story from 1969. It’s an oldie but goodie, a look at the borough’s bounce back from what Hamill sees as its postwar (and post-Dodgers) decline. As a snapshot of an evolving Brooklyn from decades ago, the story’s a fascinating read today. And Hamill’s wide-angle view of the borough’s complexities, as well as his celebration of its energy and diversity, still rings true.

Raphael’s pick: “Gentrified Fiction,” by Elizabeth Gumport in n+1

There’s a story many Brooklynites tell in which the moment of their arrival in a neighborhood coincides with the last breath of its “authentic” life. Those who came after, this story goes, never knew the “real” neighborhood. They missed the junkies who hung out on the stoops down the block, the bodega on the corner that sold 40s, the drop ceilings and vinyl siding and linoleum. It’s a seductive story, to hear and to tell. But it’s also a destructive story—really a myth—that valorizes an arbitrary authenticity at the expense of a more complex understanding of the place we call home. What is the “real” Brooklyn—what is the “real” anywhere?

If you’re interested in interrogating that question, I strongly recommend Elizabeth Gumport’s 2011 essay “Gentrified Fiction,” which explores the fixation on authenticity in contemporary literature about Brooklyn.

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What are you reading (and loving)? Tell us.

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“Deep Inside Taco Bell’s Doritos Locos Taco” —Austin Carr, Fast Company
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“A Trip to Japan in Sixteen Minutes.” Michelle Legro, The Believer.
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Now on Newsstands: Modern Farmer

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One of our favorite parts about running Longreads is getting to know all the excellent magazine, book and online publishers out there producing great storytelling. We thought it would be fun to profile them—starting today with Modern Farmer. We spoke with deputy editor Reyhan Harmanci about their inaugural issue, out now.

Publication: Modern Farmer (inaugural issue)

Founded: April 2013

HQ: Hudson, New York

Editors: Ann Marie Gardner (Editor-in-Chief), Reyhan Harmanci (Deputy Editor), Andy Wright (Senior Editor), Jake Swearingen (Web Editor)

How did the magazine come together?

“The whole operation began when, a few years ago, Ann Marie was working for the New York Times and Monocle, and traveling a lot for stories. Living in upstate New York, she was surrounded by farmers, gardeners, people really connected to the food and the land; the fact that people everywhere were having the same conversations about food security, sustainability, localism, etc., surprised and inspired her. She began working on this in earnest about a year ago, and found an investor this fall. The editorial team (or part of it) began working in November.

“The basic idea behind MF is that knowing where your food comes from is extremely important — and, thanks in large part to climate change, so is self-reliance. We want to cover agriculture on a global scale, tell fascinating stories and also have fun. It doesn’t hurt that farms often have baby farm animals, key to any digital media operation.”

Tell us about the #longreads in the latest issue:

“Probably my favorite story in the magazine is by Jesse Hirsch (who has since come on as our staff writer) about the global wild pig explosion. It really needs to be read to be believed: boars are taking over the world and we can’t do anything to stop it. Less fun but extremely important is Mac McClelland’s story about humane slaughter—what does it even mean? How much should we care?”


Subscriptions: 
Print and digital

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Happy 10th Birthday, The Believer!

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In celebration of its 10th anniversary, The Believer has just published a handful of classic stories for the first time on the web, and they were nice enough to share them with the Longreads community. Enjoy: 

Eddie Vedder Interviewed by Carrie Brownstein (June 2004)

“Crimes Against the Reader” (Rick Moody, April 2005)

“Transmissions from Camp Trans” (Michelle Tea, November 2003)

“Welcome to the Almost Cult-Like Fan-World of American Women’s Pro Basketball” (Stephen Burt, May 2005)

Zadie Smith Talks with Ian McEwan (August 2005)

David Cross Talks with Someone Who Hates Him [Adam Bulger] and Someone Who Loves Him [Eric Spitznagel] (May 2008)

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“Paying for Finn: A Special-Needs Child.” Jeff Howe, Money Magazine.
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“Lives of the Moral Saints.” Larissa MacFarquhar with David V. Johnson, Boston Review.
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“The Hell of American Day Care.” Johnathan Cohn, The New Republic.
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“I’m For Sale.” Genevieve Smith, Elle.